Video hit Chris Rea

Chris Rea - Josephine

Chris Rea performs a special morning session for Ken Bruce at the BBC's Maida Vale studios in London on Friday 9 October, 2009.

Chris Rea, Neil Drinkwater, Robert Ahwai, Martin Ditcham, Sylvin Marc.

Josephine is one of the most popular and the most successful song by Chris Rea, released in 1985 on the Shamrock Diaries. Josephine was written by Rea for his daughter of the same name. Rea would later pay the same compliment to his youngest daughter, Julia, on the album Espresso Logic (1993).

The lyrics:

There's rain on my window

But I'm thinking of you

Tears on my pillow

But I will come through

Josephine, I'll send you all my love

And every single step that I'll take

I'll take for you

My,Josephine

There's a storm on my radar

But I can still fly

Oh,and you are the reason

The blue in my sky

Josephine

A life without meaning

I was walking away

In the coldest of winters

Night becomes a day

Josephine, I'll send you all my love,

And every single step that I'll take

I'll take for you

My,Josephine, I'll send you all my love, babe

Josephine, I'll send you all my love, babe

---and when I'm far away (oh, so far away)

I'll send you all my love

(bridge)

(chorus):

---- ...... I'll send you all my love

(Rea):

......Josephine...

---- ......I'll send you all my love

(Chorus):

---- ......I'll send you all my love

Video hit Leo Sayer

Leo Sayer - When I Need You (1976)

When I Need You is a popular song written by Albert Hammond and Carole Bayer Sager. Its first appearance was as the title track of Hammond's 1976 album When I Need You.

Leo Sayer's version, produced by Richard Perry, was a massive hit worldwide, reaching number 1 on the UK Singles Chart for three weeks in February 1977 after three of his earlier singles had stalled at number 2. It also reached number 1 on both the Billboard Hot 100 for a single week in May 1977 and the Hot Adult Contemporary Tracks.

Sayer performed it on the second show of the third season of The Muppet Show.

Cover versions

The song was covered by, amongst others, the reggae singer Owen Gray, Céline Dion, Luther Vandross, Perry Como, Rod Stewart (on his compilation album If We Fall in Love Tonight), Barry Manilow (on his compilation album Summer of '78), Alpha Blondy, Edyta Górniak, polish version of album RMF moja i twoja muzyka Brotherhood of Man, Will Mellor, Julio Iglesias, Cliff Richard, Roger Whittaker, Clay Aiken and Gene Pitney on his 2003 album, Blue Angel - The Bronze Sessions.

Surinamese balladeer Max Nijman recorded the song as Mi Wan Shi Yu (Wanna See You) shortly after the original charted at his Dutch home-base. In the early 1990s he made a new version for a best of -CD.

Lani Hall recorded a Spanish version of the song, "Si Me Amaras (If You Loved Me)", for her 1985 album, Es Fácil Amar.

Rahul Dev Burman recorded a Hindi version of the song (Tum se mil ke) for a 1989 film Parinda. The Cantonese duet version, known as "For You, I'll Never Give Up," was covered by Gallen Lo and Flora Chan, as the theme song of Hong Kong drama Feminine Masculinity in 1999.

Ryuichi Kawamura recorded a cover in Japanese for his 2011 album The Voice.

Joe McElderry covered the song for his fourth studio album, Here's What I Believe.

Czech singer Václav Neckář make cover version in 1978 "Chci tě líbat (I Want To Kiss You)".

Mexican group "Yndio" made their own Spanish version during 70's, called "Me haces falta".

The lyrics:

When I need you

I just close my eyes and I'm with you

And all that I so want to give you

It's only a heartbeat away

When I need love

I hold out my hands and I touch love

I never knew there was so much love

Keeping me warm night and day

Miles and miles of empty space in between us

The telephone can't take the place of your smile

But you know I won't be travelin' forever

It's cold out but hold out and do I like I do

When I need you

I just close my eyes and I'm with you

And all that I so want to give you babe

It's only a heartbeat away

It's not easy when the road is your driver

Honey that's a heavy load that we bear

But you know I won't be traveling a lifetime

It's cold out but hold out and do like I do

Oh, I need you

When I need love

I hold out my hands and I touch love

I never knew there was so much love

Keeping me warm night and day

When I need you

Just close my eyes

And you're right here by my side

Keeping me warm night and day

I just hold out my hands

I just hold out my hand

And I'm with you darlin'

Yes, I'm with you darlin'

All I want to give you

It's only a heartbeat away

Video hit Martika

Martika - Love thy will be done

Love... Thy Will Be Done was the first single released from Martika's second album, Martika's Kitchen.

The Prince-produced single, written by Martika and Prince, reached the top ten of the pop charts in the U.S., UK, France and Australia. The single was released on July 25, 1991.

This song introduced Martika to a more adult contemporary sound than her previous efforts. The song is particularly remarkable for its constant backline, played by the drums and the bass, without any variation throughout the song, neither as far as rhythm or intensity are concerned, independently of other effects in the song (climax, forte, piano, backing vocals, etc.). Similarly, the melody insists particularly on monochord lines and repeats the "love thy will be done" notes as a leitmotiv.

The distinctive black-and-white music video was directed by Michael Haussman.

Prince has performed this song during his tours in the later 1990s and in 2012. Prince also used a sample of this song for his cover of "One of Us" on his triple album Emancipation.

Singer Jessie Ware released a cover version in April 2013.

The lyrics:

Love, thy will be done

I can no longer hide

I can no longer run

No longer can I resist the guiding light

It gives me the power to keep up the fight

Love, thy will be done

Since I have found you my life has just begun

And I see all of your creations as one

Perfect complex

No one less beautiful

Or more special than the next

We are all blessed and so wise to accept

Thy will love be done

Love, thy will be mine

And make me strive for the glorious and divine

I could not be more, more satisfied

(Satisfied)

Even when there's no peace outside my window

There's peace inside

And that's why I no longer run

(I don’t know)

Love, thy will be done

Love thy will be done

I can no longer hide

I can no longer run

(No)

Love, thy will be done

Thy will love be done

No longer can I resist

(No)

The guiding light

(Guiding light)

The light that gives me the power to keep up the fight

I couldn’t be more satisfied

(No)

Even when there's no peace outside my window

There's peace inside

And that's why I can not longer run

Love thy will be done

(Thy will be done, done, done)

Love, thy will be done

I can no longer hide

I can no longer run

Love, thy will be done

Thy will love be done

Love, thy will be done

I can no longer hide

I can no longer run

(No, no, no)

Love, thy will be done

Thy will love be done

Thy will love be done

Thy will love be done

Video hit Bob Seger

Bob Seger - Turn the page

Turn the Page is a song originally released by Bob Seger in 1973 on his Back in '72 album. Though never released as a single, Seger's live version of the song on his 1976 Live Bullet album became a mainstay of album-oriented rock radio stations, and still gets significant airplay to this day on classic rock stations.

"Turn the Page" is about the emotional and social ups and downs of a rock musician's life on the road. Seger wrote it in 1972 while touring with Teegarden & Van Winkle.

Drummer David Teegarden (of Teegarden & Van Winkle and later the Silver Bullet Band) recalls:

“We had been playing somewhere in the Midwest, or the northern reaches, on our way to North or South Dakota. [Guitarist] Mike Bruce was with us. We'd been traveling all night from the Detroit area to make this gig, driving in this blinding snowstorm. It was probably 3 in the morning. Mike decided it was time to get gas. He was slowing down to exit the interstate and spied a truck stop. We all had very long hair back then – it was the hippie era – but Skip, Mike and Bob had all stuffed their hair up in their hats. You had to be careful out on the road like that, because you'd get ostracized. When I walked in, there was this gauntlet of truckers making comments – "Is that a girl or man?" I was seething; those guys were laughing their asses off, a big funny joke. That next night, after we played our gig – I think it was Mitchell, S.D. – Seger says, "Hey, I've been working on this song for a bit, I've got this new line for it. He played it on acoustic guitar, and there was that line: "Oh, the same old cliches / 'Is that a woman or a man?' " It was "Turn the Page."

The lyrics:

On a long and lonesome highway

East of Omaha

You can listen to the engine

Moanin' out his one note song

You can think about the woman

Or the girl you knew the night before

But your thoughts will soon be wandering

The way they always do

When you're ridin' sixteen hours

And there's nothin' much to do

And you don't feel much like ridin',

You just wish the trip was through

Here I am

On the road again

There I am

Up on the stage

Here I go

Playin' star again

There I go

Turn the page

Well you walk into a restaurant,

Strung out from the road

And you feel the eyes upon you

As you're shakin' off the cold

You pretend it doesn't bother you

But you just want to explode

Most times you can't hear 'em talk,

Other times you can

All the same old cliches,

"Is that a woman or a man?"

And you always seem outnumbered,

You don't dare make a stand

Here I am

On the road again

There I am

Up on the stage

Here I go

Playin' star again

There I go

Turn the page

Out there in the spotlight

You're a million miles away

Every ounce of energy

You try to give away

As the sweat pours out your body

Like the music that you play

Later in the evening

As you lie awake in bed

With the echoes from the amplifiers

Ringin' in your head

You smoke the day's last cigarette,

Rememberin' what she said

Here I am

On the road again

There I am

Up on the stage

Here I go

Playin' star again

There I go

Turn the page

Here I am

On the road again

There I am

Up on the stage

Here I go

Playin' star again

There I go

Turn the page

There I go

There I go

Video hit Zaz and Grand Corps Malade

Zaz & Grand Corps Malade - Ne Me Quitte Pas

Ceva aparte. Ceva deosebit. Ceva nascut din pasiune si dragoste de muzica.

Emotie si respect fata de muzica.

Nimic exagerat sau fals.

Jacques Brel este viu…

Versurile:

http://lyricstranslate.com

Ne me quitte pas.

Il faut oublier.

Tout peut s'oublier

Qui s'enfuit deja.

Oublier le temps

Des malentendus

Et le temps perdu

A savoir comment

Oublier ces heures

Qui tuaient parfois

A coups de pourquoi

Le coeur du bonheur.

Ne me quitte pas.

Moi je t'offrirai

Des perles de pluie

Venues de pays

Ou il ne pleut pas.

Je creuserai la terre

Jusqu'apres ma mort

Pour couvrir ton corps

D'or et de lumiere.

Je ferai un domaine

Où l'amour sera roi,

Où l'amour sera loi,

Où tu seras reine.

Ne me quitte pas.

Ne me quitte pas.

Je t'inventerai

Des mots insensés

Que tu comprendras.

Je te parlerai

De ces amants-là

Qui ont vu deux fois

Leurs coeurs s'embraser.

Je te raconterai

L'histoire de ce roi

Mort de n'avoir pas

Pu te rencontrer.

Ne me quitte pas.

On a vu souvent

Rejaillir le feu

De l'ancien volcan

Qu'on croyait trop vieux.

Il est paraît-il

Des terres brûlées

Donnant plus de blé

Qu'un meilleur avril.

Et quand vient le soir,

Pour qu'un ciel flamboie

Le rouge et le noir

Ne s'épousent-ils pas ?

Ne me quitte pas.

Ne me quitte pas.

Je ne veux plus pleurer,

Je ne veux plus parler.

Je me cacherai là

A te regarder

Danser et sourire

Et à t'écouter

Chanter et puis rire.

Laisse-moi devenir

L'ombre de ton ombre,

L'ombre de ta main,

L'ombre de ton chien.

Ne me quitte pas.

Video hit David Garrett

David Garrett - November Rain (live)

David Garrett & Marcus Wolf Band & Orchester in Berlin Wuhlheide, 08.06.2010 - performing "November Rain".

David Garrett (born David Bongartz; 4 September 1980) is a record-breaking German classical and crossover violinist and recording artist.

Garrett was born in Aachen, Germany, to an American prima ballerina, Dove Garrett, and a German antique dealer, Georg Bongartz. He adopted his mother's maiden name as a pseudonym, as "it was more pronounceable".

When Garrett was four years old, his father bought a violin for his older brother. The young Garrett took an interest and soon learned to play. A year later, he took part in a competition and won first prize. By the age of seven, he studied violin at the Lübeck Conservatoire, and by the age of 12, Garrett began working with the distinguished Polish violinist Ida Haendel, often traveling to London and other European cities to meet her.

After leaving home at 17, he enrolled in the Royal College of Music in London, leaving after the first semester. On being asked in an interview if he was expelled, Garrett responded: "Well expelled wasn't the official term… It was mutually agreed that me and the RCM were going separate ways after the first semester. I did skip some lessons – but I also broke in to do extra practice, so that didn't help!".

In 1999 he moved to New York to attend the Juilliard School, in 2003 winning the Composition Competition of Juilliard School with a fugue composed in the style of Johann Sebastian Bach.

While at Juilliard he studied under Itzhak Perlman, one of the first to do so, and graduated in 2004.

Video hit Maroon 5

Maroon 5 - One More Night

One More Night is a song performed by American pop rock band Maroon 5. The song was released on June 19, 2012, as the second single from their fourth studio album Overexposed (2012). It was written by Adam Levine, Shellback, Max Martin and Savan Kotecha, while production was handled by Shellback and Martin. It is a pop song with a strong influence of reggae. Lyrically, it talks about not getting along with someone and hoping he only stays with her just "one more night".

It is built upon the idea of the quintessential push and pull between what the heart, mind and body want, which are usually opposing things.

The song received mostly favorable reviews from music critics. Most of them complimented the reggae influence on the track, Levine's vocals and labeled it a "summer catchy song". However, some critics perceived a lack of identity and criticized the song's melody. The song debuted at number 42 on the Billboard Hot 100, while it debuted at number 27 on the Canadian Hot 100 chart. It has peaked at number 1 on the Hot 100 and number 2 on the Canadian Hot 100 chart.

It currently is Maroon 5's most successful single on the Billboard Hot 100, spending 9 consecutive weeks at #1.

The song has also been a success on the Australian Singles Chart, reaching number 2 and topping the New Zealand Singles Chart and the South Korean Gaon International Chart. The song sold 6.9 million copies becoming the 8th best selling song worldwide in 2012.

A music video directed by Peter Berg was released on June 25, 2012. In the video, Levine becomes a boxer working to support his girlfriend and baby. As the singer spends time training for a big fight, he struggles to stay close to his girlfriend while raising their child together. Though he appears determined, his significant other seems troubled by his bloody profession and financial stability for their daughter, and leaves him in the end. The band performed the song for the first time on the Today Show concert series on June 29, 2012, also performing the track on the Late Show with David Letterman and on their Overexposed Tour (2012).

Lyrically, the song is built upon the idea of the quintessential push and pull between what the heart, mind and body want, which are usually opposing things. It starts with Adam Levine's "Ooh-ooh-ooh-ooh", underlined by a reggae beat. "You and I go hard at each other like we're goin' to war", Levine sings and then tempers that statement by saying, "Try to tell you ‘no but my body keeps on telling you ‘yes’", lamenting over not being able to resist the atrractive charms of an addictive person. The chorus finds Levine bewitched by someone he knows he shouldn’t be with: "So I cross my heart and I hope to die / That I’ll only stay with you one more night / And I know I said it a million times / But I’ll only stay with you one more night."

The lyrics:

You and I go hard, at each other like we going to war

You and I go rough, we keep throwing things and slammin' the door

You and I get so, damn dysfunctional we stopped keeping score

You and I get sick, yah I know that we can't do this no more

But baby there you again, there you again making me love you

Yeah I stopped using my head, using my head let it all go

Got you stuck on my body, on my body like a tattoo

And now i'm feeling stupid, feeling stupid crawling back to you

So I cross my heart, and I hope to die, that I'll only stay with you one more night

And I know I said it a million times

But i'll only stay with you one more night

Trying to tell you no, but my body keeps on telling you yes

Trying to tell you stop, but your lipstick got me so out of breath

I'd be waking up, in the morning probably hating myself

And i'd be waking up, feeling satisfied but guilty as hell

But baby there you go again, there you go again making me love you

Yeah I stopped using my head, using my head let it all go

Got you stuck on my body, on my body like a tattoo

And now i'm feeling stupid, feeling stupid crawling back to you

So I cross my heart, and I hope to die, that i'll only stay with you one more night

And I know i've said it a million times

But i'll only stay with you one more night

Yeah baby give me one more night

Yeah baby give me one more night

Yeah baby give me one more night

But baby there you again, there you again making me love you

Yeah I stopped using my head, using my head let it all go

Got you stuck on my body, on my body like a tattoo

Yeah, yeah, yeah, yeah

So I cross my heart, and I hope to die, that i'll only stay with you one more night

And I know i've said it a million times

But i'll only stay with you one more night

(yeah baby give me one more night)

So I cross my heart, and I hope to die, that i'll only stay with you one more night

And I know i've said it a million times

But i'll only stay with you one more night

(I don't know, whatever...)

Video hit Bonnie Raitt & Norah Jones

Bonnie Raitt & Norah Jones - Tennessee Waltz

Tennessee Waltz is a popular/country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in December 1947 as a single by Cowboy Copas that same year. The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page.

All versions of the lyrics narrate a situation in which the persona has introduced his or her sweetheart to a friend who then waltzes away with her or him. The lyrics are altered for pronoun gender on the basis of the sex of the singer.

The popularity of "Tennessee Waltz" also made it the fourth official song of the state of Tennessee in 1965.

As of 1974, it was the biggest selling song ever in Japan.

"Tennessee Waltz" returned to the charts in the fall of 1959 with a rockabilly version recorded by both Bobby Comstock & the Counts and Jerry Fuller: on the Billboard Hot 100 the versions respectively reached #52 and #63 while Cash Box assigned both versions a joint ranking on its Top 100 Singles chart with a peak position of #42.

In 1964 "Tennessee Waltz" was recorded in a rock and roll ballad style by Alma Cogan; this version was #1 in Sweden for five weeks and also reached the Top 20 in Denmark while a German language rendering (with lyrics by Theo Hansen) reached #10 in Germany. The success of Cogan's version has inspired remakes by Swedish singers Kikki Danielsson (Wizex (on the 1978 album Miss Decibel) and Lotta Engberg (on the 2000 album Vilken härlig dag) and – with the German lyrics – by Heidi Brühl, Gitte, Renate Kern and Ireen Sheer.

Sam Cooke recorded a double-time version of "Tennessee Waltz" for his Ain't That Good News album recorded 28 January 1964 at the RCA Studio in Hollywood. Released March 1, 1964, Ain't That Good News would be the final album release of new material by Cooke, and "Tennessee Waltz," coupled with another album track: "Good Times," would be the final Sam Cooke single released during the singer's lifetime, with "Tennessee Waltz," the original B-side, becoming sufficiently popular to chart at #35. Cooke performed "Tennessee Waltz" – and also "Blowin' in the Wind" – as a guest on the premiere of Shindig! broadcast 16 September 1964.

Al Hirt released a version on his 1965 album, Live at Carnegie Hall.

In 1966, Otis Redding recorded a version of "Tennessee Waltz" featuring Booker T & the MGs on his classic R&B album The Otis Redding Dictionary of Soul.

Manfred Mann included a version of the song on their number-one EP in 1966.

Johnny Jones – a native of Atlanta who had briefly replaced Sam Cooke in the Soul Stirrers before Johnnie Taylor joined the group – reached #49 R&B in 1968 with his deep soul rendition of "Tennessee Waltz" cut for producer Bobby Robinson's Fury Records.

In 1972, American Spring recorded a cover of "Tennessee Waltz" produced by Brian Wilson to open their debut album, Spring.

Lacy J. Dalton hit #18 on the C&W chart in Billboard with her gritty reworking of "Tennessee Waltz" in 1980.

In 1983 the song was featured on the James Brown album Bring It On (Churchill Records).

American R&B and boogie-woogie pianist and singer Little Willie Littlefield recorded a version for his 1990 album Singalong with Little Willie Littlefield.

Norah Jones performed "Tennessee Waltz" as an encore during a live show at the House of Blues in New Orleans on August 24, 2002. It is featured as extra material on the following DVD-release of the show.

Leonard Cohen released a live version of "Tennessee Waltz" recorded in 1985– one of the few covers he's ever cut – on his 2004 album Dear Heather; this version featured an additional verse written by Cohen himself.

Belle and Sebastian used the melody from "Tennessee Waltz" in their song Slow Graffiti.

Other artists who have recorded "Tennessee Waltz" (with the parent album): LaVern Baker (Woke Up This Mornin' 1993), Eva Cassidy (Imagine 2002), Holly Cole (Don't Smoke in Bed 1993), Connie Francis, Emmylou Harris (Cimarron 1981), Tom Jones backed by The Chieftains (Long Black Veil 1995), (1995), Pete Molinari (Today, Tomorrow and Forever 2009), Anne Murray (Let's Keep It That Way 1978), Elvis Presley, Billie Jo Spears (Country Girl 1981) and Lenny Welch.

Kelly Clarkson performed the song at the 2013 Grammy Awards as part of a tribute to Patti Page.

The lyrics:

I was dancin' with my darlin' to the Tennessee Waltz

When an old friend I happened to see

I introduced her to my loved one and while they were dancin'

My friend stole my sweetheart from me

I remember the night and the Tennessee Waltz

Now I know just how much I have lost

Yes, I lost my little darlin' the night they were playing

The beautiful Tennessee Waltz

Yes, I lost my little darlin' the night they were playing

The beautiful Tennessee

They were playing the Waltz on the night I lost my love

Video hit Joe Cocker and Jennifer Warnes

Joe Cocker and Jennifer Warnes - Up where we belong (live, 2013)

Up Where We Belong is a song written by Jack Nitzsche, Buffy Sainte-Marie and Will Jennings.

It was recorded by Joe Cocker and Jennifer Warnes for the 1982 film An Officer and a Gentleman.

Richard Gere balked at shooting the ending of the film, in which Zack arrives at Paula's factory wearing his naval dress whites and carries her off the factory floor; he thought that wouldn't work because it was too sentimental. Director Taylor Hackford agreed with Gere until, during a rehearsal, the extras playing the workers began to cheer and cry. When Gere saw the scene later, with the music added ("Up Where We Belong"), he said it gave him chills. Gere is now convinced Hackford made the right decision.

Producer Don Simpson unsuccessfully demanded "Up Where We Belong" be cut from An Officer and a Gentleman, saying, "The song is no good. It isn't a hit."

"Up Where We Belong" won the Golden Globe Award for Best Original Song and the Academy Award for Best Original Song in 1983.

It also won the BAFTA Film Awards for Best Original Song in 1984.

Cocker and Warnes also won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1983 for their rendition of this song.

The lyrics:

Who knows what tomorrow brings

In a world few hearts survive?

All I know is the way I feel

When it's real, I keep it alive

The road is long

There are mountains in our way

But we climb a step every day

Love lift us up where we belong

Where the eagles cry

On a mountain high

Love lift us up where we belong

Far from the world below

Up where the clear winds blow

Some hang on to, 'used to be'

Live their lives looking behind

All we have is here and now

All our life out there to find

The road is long

There are mountains in our way

But we climb a step every day

Love lift us up where we belong

Where the eagles cry

On a mountain high

Love lift us up where we belong

Far from the world we know

Where the clear wind blows

Time goes by, no time to cry

Life's you and I, a life today

Love lift us up where we belong

Where the eagles cry

On a mountain high

Love lift us up where we belong

Far from the world we know

Where the clear winds blow

Love lift us up where we belong

Where the eagles cry

On a mountain high

Love lift us up where we belong

Video hit Fever Ray

Fever Ray - Keep The Streets Empty For Me

The official video for Keep The Streets Empty For Me, taken from Fever Ray's debut album 'Fever Ray' directed by Jens Klevje and Fabian Svensson.

"Fever Ray and the song Keep the Streets Empty struck us immediately with its fateful sound and images of abandoned suburbia begun to grow in front of our eyes. We wanted to continue the journey that started in the former videos and our ambition was to catch the feeling in a very direct and true way and create a video where dream and reality intertwine." - Fabian and Jens.

Fever Ray is stage name of Karin Elisabeth Dreijer Andersson (born 7 April 1975).

She is the lead vocalist of the electronic music duo The Knife, formed with her brother Olof Dreijer. Andersson was previously the vocalist and guitarist of the alternative rock band Honey Is Cool. Andersson released her debut solo album under the name Fever Ray in 2009.

Her vocal style is notable for both shrill and deep tones, and also the use of multitracked vocals, with different uses of pitch-shifting technology on each track, creating an intricate and mysterious effect.

Visually, Andersson employs the use of masks, face and body paint, intricate costumes, and other theatrical elements in photo shoots, videos and live performances, during which she often performs behind a gauze screen that partially obscures her from view.

Andersson performed as Fever Ray at the 2010 Coachella Festival and received positive reviews.

In September of the same year, she performed at Electric Picnic in Ireland and at Bestival in England.

Contrary to a statement from the film's director, Andersson did not make a cameo appareance in the 2011 film Red Riding Hood. However, the soundtrack features the exclusive track "The Wolf", which Andersson co-wrote with her band members, as well as "Keep the Streets Empty for Me".

Andersson wrote the music for the theatrical adaptation of Ingmar Bergman's 1968 horror film Hour of the Wolf, which premiered at Stockholm's Royal Dramatic Theatre on 12 March 2011.

One of these tracks, "No Face", appeared in demo form on the 2012 compilation album We Are the Works in Progress, organised by Blonde Redhead to benefit victims of the 2011 Japanese tsunami.

The lyrics:

Memory comes when memory's old

I am never the first to know

Following the stream up North

Where do people like us float

There is room in my lap

For bruises, asses, hand claps

I will never disappear

Forever, I'll be here

Whispering

Morning, keep the streets empty for me

I learned to not eat the snow

My fur is hot, my tongue is cold

On a bed of spider web

I think about to change myself

A lot of hope in a one man tent

There's no room for innocence

Take me home before the storm

Velvet mites will keep us warm

Whispering

Morning, keep the streets empty for me

Uncover our heads and reveal our souls

We were hungry before we were born

Video hit David Guetta and The Piano Guys

David Guetta - Without You ft. Usher (Piano/Cello Cover) - The Piano Guys

Original song written by David Guetta, Taio Cruz, Frederic Riesterer, Rico Love, Raymond Usher, Giorgio & Tuinfort.

Arrangement produced by Al van der Beek & Steven Sharp Nelson.

Arrangement written by Al van der Beek, Jon Schmidt, & Steven Sharp Nelson.

Piano/vocals: Jon Schmidt.

Cellos/vocals: Steven Sharp Nelson.

Vocals: Al van der Beek.

Recorded, mixed & mastered by Al van der Beek at TPG Studios.

Video produced by Paul Anderson & Tel Stewart.

A special thanks to our filming location, Metcom Studios. They have an incredible studio in downtown Salt Lake City.

Video hit Duran Duran

Duran Duran - The Chauffeur

The Chauffeur is a Duran Duran song from their second album Rio in 1982. The song was written by Simon Le Bon as poetry, several years before Rio was even begun. Two different versions of the song were originally recorded by Duran Duran, and the song has been covered by three mainstream artists. Two music videos of the song have been made at different times, by different directors. Unusually for the band, the song's title does not appear anywhere in the song's lyrics, but the refrain from the song has been used by Duran Duran as the title of both a tour video and a book.

The origins of the lyrics for "The Chauffeur" have become part of the Duran Duran legend. In May 1980, while the band were working for Paul and Michael Berrow, who at the time ran the Rum Runner night club in Birmingham, one of the Rum Runner bar maids recommended her ex-boyfriend to be their new lead singer. Simon Le Bon auditioned in May 1980, bringing with him a book of poetry and lyrics, including the lyrics to the song which would eventually become The Chauffeur.

The word chauffeur does not appear in the lyric at any point, however the song is written from the point of view of someone who is driving another person, a woman, on a hot day.

Some versions of the song feature words at the end of the track, spoken sotto voce by a man. This monologue is taken from a natural history recording - the man is speaking about insects in the grass.

The song refrain "sing blue silver" was used as the title of the band's video covering its 1983-84 tour. A book of the same name was also produced to support the tour, showcasing still photography by official tour photographer Denis O'Regan.

The flute-like instrument heard toward the end of the song is an ocarina played by Simon Le Bon.

The Chauffeur is one of two non-single tracks on Rio to have its own music video. None of the band appear in the video. It is a moody black-and-white piece inspired in part by Liliana Cavani's 1974 film, The Night Porter, and the photography of Helmut Newton.

A woman in an erotic costume is driven in a Vanden Plas Princess limousine by a uniformed chauffeur. Elsewhere, another woman dresses herself carefully in lingerie and walks through the streets of London towards a rendezvous in an abandoned multi-storey car park. The chauffeur watches while a third woman (Perri Lister), a topless blonde in an open-bust corset, performs a sensuous dance to the accompaniment of the instrumental coda of the song — clearly an homage to Charlotte Rampling's topless "Dance of the Seven Veils" in The Night Porter.

The video featured on the 1983 video album entitled Duran Duran. It has also been included on the 1999 "Greatest VHS compilation and 2003 "Duran Duran: Greatest — The DVD" compilation.

Sleepthief created a video to accompany the release of The Chauffeur as a single,[8] featuring project member Kirsty Hawkshaw. In this video, which seems at first to have a lighter, dreamier tone than the original, a uniformed chauffeur at separate times drives two different women in evening clothes to an assignation with a man. The women encounter each other twice at the man's house, the first time to observe the assignation, the second time to encounter a murder. The chauffeur then drives the two women away.

The lyrics:

Out on the tar plains, the glides are moving

All looking for a new place to drive

You sit beside me, so newly charming

Sweating dew drops glisten, freshing your side

And the sun drips down bedding heavy behind the front of your dress all shadowy lined

And the droning engine throbs in time with your beating heart

Way down the lane away, living for another day

The aphids swarm up in the drifting haze

Swim seagull in the sky towards that hollow western isle

My envied lady holds you fast in her gaze

And the sun drips down bedding heavy behind the front of your dress all shadowy lined

And the droning engine throbs in time with your beating heart

And the sun drips down bedding heavy behind the front of your dress all shadowy lined

And the droning engine throbs in time with your beating heart

Sing blue silver

And watching lovers part, I feel you smiling

What glass splinters lie so deep in your mind

To tear out from your eyes with a board to stiffen brooding lies

But I'll only watch you leave me further behind

And the sun drips down bedding heavy behind the front of your dress all shadowy lined

And the droning engine throbs in time with your beating heart

And the sun drips down bedding heavy behind the front of your dress all shadowy lined

And the droning engine throbs in time with your beating heart

Sing blue silver

Sing, sing blue silver

There's more to this kind of camouflage

More than just colour and shape

Who's going now, in to a classiomatic?