marți, 3 decembrie 2013

Video hit Stevie Ray Vaughan

Stevie Ray Vaughan - Mary Had A Little Lamb

Stephen "Stevie" Ray Vaughan (October 3, 1954 – August 27, 1990) was an American guitarist, singer, songwriter and record producer. Often referred to by his initials SRV, Vaughan is best known as a founding member and leader of Double Trouble. With drummer Chris Layton and bassist Tommy Shannon, they ignited the blues revival of the 1980s. With a career spanning seven years, Vaughan and Double Trouble consistently sold out concerts while their albums frequently went gold.
Vaughan was born and raised in Dallas, Texas, and briefly lived in Graham, Texas.
The younger brother of Jimmie Vaughan, Stevie started playing guitar at the age of seven and soon after formed several bands that occasionally performed in local nightclubs. At age 17, he dropped out of high school and moved to Austin to pursue a career in music, joining groups such as Krackerjack, the Nightcrawlers, and the Cobras. In 1977, he formed Triple Threat Revue, a band that regularly performed around Austin and eventually evolved into Double Trouble. In 1982, Vaughan and Double Trouble performed at the Montreux Jazz Festival in Switzerland, catching the attention of musicians David Bowie and Jackson Browne. Bowie asked Vaughan to play on his upcoming studio album Let's Dance and Browne offered the band free use of his personal studio in Los Angeles to record an album.
In March 1983, veteran record producer John Hammond Sr. of Epic Records signed Vaughan and Double Trouble and released their debut album, Texas Flood in June of that year. While successfully touring, the group released the albums, Couldn't Stand the Weather (1984) and Soul to Soul (1985), the latter of which featured keyboardist Reese Wynans. Although his career had progressed successfully, Vaughan checked into a rehabilitation hospital in Atlanta, Georgia to give up a cocaine and alcohol addiction and returned to touring with the band. In June 1989, they released In Step, which earned them a Grammy Award for Best Contemporary Blues Performance. On August 27, 1990, Vaughan died in a helicopter crash following a performance in East Troy, Wisconsin.
Vaughan derived his uniquely eclectic yet intense style from a variety of musical genres. He was influenced by blues musicians including Albert King, Freddie King, Otis Rush, and Muddy Waters, as well as rock guitarists such as Jimi Hendrix and Lonnie Mack.
His guitar playing, for which he has received wide critical recognition, reflected the pentatonic blues scales. He ranked number seven on Rolling Stone's list of "100 Greatest Guitarists" and was posthumously inducted into the Blues Hall of Fame in 2000, the same year a memorial statue in his honor was erected in Austin's Auditorium Shores park.
Vaughan is widely considered one of the greatest musicians to come from the state of Texas.
Musical style
Vaughan's music took root in blues, rock, and jazz. He was influenced by the work of artists such as Jimi Hendrix, Albert King, B.B. King, Freddie King, Albert Collins, Johnny "Guitar" Watson, Buddy Guy, Howlin' Wolf, Otis Rush, Guitar Slim, Chuck Berry, and Muddy Waters. According to nightclub owner Clifford Antone, who opened Antone's in 1975, Vaughan jammed with Albert King at Antone's in July 1977 and almost "scared him to death", saying that "it was the best I've ever saw Albert or the best I ever saw Stevie".
He was also influenced by jazz guitarists like Django Reinhardt, Wes Montgomery, Kenny Burrell, and George Benson.
While Albert King had a substantial influence on Vaughan, Jimi Hendrix was Vaughan's greatest inspiration. Vaughan declared: "I love Hendrix for so many reasons. He was so much more than just a blues guitarist–he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar–he played music."
Vaughan owed his guitar technique in large part to Lonnie Mack, who Vaughan observed in live performance as "ahead of his time". Mack later recalled his first meeting with Vaughan in 1978: "We was in Texas looking for pickers, and we went out to see the Thunderbirds. Jimmie was saying, 'Man, you gotta hear my little brother. He plays all your [songs].' He was playing a little place called the Rome Inn, and we went over there and checked him out. As it would be, when I walked in the door, he was playing 'Wham!' And I said, 'Dadgum.' He was playing it right. I'd been playing it wrong for a long time and needed to go back and listen to my original record. That was in '78, I believe."
Vaughan owed part of his enduring style—especially his use of tremolo picking and vibrato—to Mack. He acknowledged that Mack taught him to "play guitar from the heart".
Vaughan's relationship with another Texas blues legend, Johnny Winter, was a little more complex. Although they met several times, and often played sessions with the same musicians or even performed the same material, as in the case of Boot Hill, Vaughan always refrained from acknowledging Winter in any form. In his biography, "Raisin' Cain", Winter says that he was unnerved after reading Vaughan stating in an interview that he never met or knew Johnny Winter. "We even played together over at Tommy Shannon‘s house one time.” Vaughan settled the issue in 1988 on the occasion of a Blues Festival in Europe where both he and Winter were on the bill, explaining that he has been misquoted and that "Every musician in Texas knows Johnny and has learned something from him". Asked to compare their playing styles in an interview in 2010, Winter admitted that “mine’s a little bit rawer, I think.”
The lyrics:
Mary had a little lamb
His fleece was black as coal, yeah
And everywhere the child went
That little lamb was sure to go now.
He followed her to school one day
Which broke the teachers cool
But what a time did they have
That day at school.
Tisket! Tasket! baby
A green and yellow basket
I wrote a letter to by baby
And on my way I past it.
Express myself.

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